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By: Wish Fire
Saint Gothic
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Several gemstones are traditionally said to represent the sun, each linked to solar energy through different historical, astrological, and cultural lenses:
Primary Solar Gemstones
* Peridot: Known famously as the "Gem of the Sun" by ancient Egyptians, who believed it radiated a light that never dimmed. Its yellow-green hue was seen as a physical manifestation of solar energy.
* Sunstone: Directly named for its resemblance to the sun, this variety of feldspar exhibits a shimmering effect called aventurescence that looks like rays of light trapped within the stone. It was used by Vikings for navigation to find the sun in overcast skies.
* Ruby: In Vedic astrology, the ruby (or Manikya) is the primary gemstone for the Sun (Surya). Its fiery red color is believed to embody the sun’s divine energy, vitality, and power.
* Heliodor: Its name literally translates to "Gift from the Sun" in Greek (helios meaning sun, doron meaning gift). This golden-yellow variety of beryl is often associated with clarity and solar warmth.
Other Associated Stones
Many other warm-toned or reflective stones are also linked to solar symbolism:
* Citrine: Often called a "piece of sunshine," it is widely used to represent positivity and the sun's creative energy.
* Amber: Though technically fossilized resin, it is cherished as a "drop of sunshine" because of its trapped ancient warmth and golden color.
* Pyrite: Known as "Fool's Gold," it is said to reflect the brilliance and abundance of the sun.
* Yellow Gold: While a metal rather than a jewel, gold is universally recognized as the "Metal of the Sun" due to its color and shine.
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The House just passed the Farm Bill, a comprehensive bill, to support our nation’s agricultural producers, invest in our rural communities, and increase affordability in our food supply! Learn more below.
www.x.com/RepGuthrie/status/2049938587798347862
El Museo Sívori presenta una nueva edición de su prestigioso certamen textil con obras de todo el país
www.x.com/TNFamosos/status/2049939403661877455
मणिपुर में मेइरा पीईबी समूह की हजारों महिलाएं सड़कों पर उतर आई हैं। यह महिलाएं दिन में रास्ते रोकती हैं, धरना देती हैं और रात में मशाल रैली निकलकर पहरेदारी करती हैं। यह लोग 7 अप्रैल को रॉकेट हमले में 2 बच्चों की मौत का विरोध कर रहे हैं।
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“Venezuela entera hoy grita que se acaben las sanciones, que se acabe el bloqueo y que dejen a Venezuela volar en paz, tranquila, volar con toda la fuerza”, expresó Cabello durante la Peregrinación por una Venezuela libre de sanciones en Guárico.
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Because the state’s official Libertarian convention is scheduled for May 2, 2026, the specific candidate list for the 2026 general election is currently being finalized.
In South Dakota, the Libertarian Party is a recognized political party, though it remains a "third party" compared to the dominant Republican presence.
In California, you often have 1,000 people applying for one high-paying tech or admin job. In South Dakota and Vermont, you often have one job opening with zero applicants.
Vermont: Small Scale, High Demand
Vermont’s job market is very different from California’s. It’s less about "corporate ladders" and more about essential services and specialized manufacturing.
1. Tourism & Hospitality: Because of the ski resorts and "leaf-peeping" seasons, Vermont has a constant, desperate need for hospitality managers, chefs, and recreation workers.
2. Healthcare & Social Assistance: This is actually the largest employment sector in the state. Home Health Aides and Nursing Assistants are the most in-demand roles right now.
3. "Green" Professional Services: Vermont has a high concentration of jobs in environmental engineering, technical services, and professional consulting.
South Dakota: The "Big Three" Economy
South Dakota’s economy is currently dominated by three major pillars that are aggressively hiring.
1. Agriculture & Food Processing: This is the backbone of the state. It isn’t just farming; it includes large-scale food manufacturing and "bioscience" jobs related to crops and livestock.
2. Finance & Banking: Surprisingly, Sioux Falls is a major hub for the credit card and banking industry (due to favorable tax laws). There is a constant demand for claims consultants, accountants, and back-office operations.
3. Healthcare: Like much of the rural US, there is a massive shortage of medical staff. The top-growing jobs here are Nurse Practitioners, Medical Assistants, and specialized therapists.
The reason states like South Dakota and Vermont have such low unemployment isn't just about "fewer people"—it's that their economies are built on industries with high, constant demand that are currently facing labor shortages.
In a state like South Dakota or Vermont, the unemployment rate is sitting at roughly 2.3%—less than half of California's.
In high-cost states like New Jersey and California, people are often more desperate to land a "good" job quickly because they can't survive on the
lower-tier service jobs that might be easier to find. This increases the competition and the visible crowds at interviews for livable-wage positions.
The Entertainment Industry: In California particularly, the film and television industry has been in a state of flux, leading to high "project-based" unemployment that keeps people constantly in the job-seeking pool.
The Tech "Hangover": Washington and California have been hit hardest by continued layoffs in the tech sector. When 10,000 engineers or administrators lose their jobs at once, they all end up in the same "lines" for the few remaining openings.
You'll notice a heavy concentration on the West Coast (California, Oregon, Washington, Nevada).
The official data confirms your suspicion: California currently has one of the highest unemployment rates in the United States. As of April 2026, California is tied for the second-highest spot in the country.
Essentially, the % or "5%" you hear on the news is a measure of the people currently in the "system," whereas the lines you see at interviews include everyone—the underemployed, the discouraged, and the career-switchers—none of whom the official percentage accounts for.
While the national average is around 4.4%, California's 5.4% reflects a "mushy" job market where high-paying sectors (like tech and film) have seen major layoffs, forcing those workers to compete for a smaller pool of available roles.
California currently has one of the highest unemployment rates in the country
In California, this "real" unemployment number is often double the official rate
Economists keep a second set of books called the U-6 rate. This includes:
• The officially unemployed.
• Marginally attached workers: People who want a job but haven't looked recently.
Part-time for economic reasons: People who want full-time work but can only find part-time.
If you have a Master’s degree but are working 10 hours a week at a coffee shop just to survive, the government counts you as fully employed.
• You are still likely going to those job interviews with lines out the door, but you don't show up in the 5.4% unemployment stat.
To be counted as "unemployed" in the official U-3 rate, you must have actively looked for work in the last four weeks.
As of April 2026, California's official unemployment rate is sitting at about 5.4%.
The "Invisible" Unemployed: If someone has been looking for six months, gets burnt out, and takes a two-month break from applying, they are no longer "unemployed" in the eyes of the government. They are moved to a category called "Not in the Labor Force."
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A dog named Odin was rescued after being left in a hot car for more than two hours in Houston, Texas, where the temperature inside climbed to 113°F.
Police say he was found panting heavily, with the windows coated in dried slobber, before officers pulled him out and gave him water.
VIDEO: Tinubu presides as Taiwo Oyedele attends his first FEC meeting as minister of finance
www.x.com/thecableng/status/2049926051740991658
It’s a brutal form of Gaslighting at a national scale. It tells the voter, "These are your only two choices," while a thousand other choices were starved of the resources to even stand on the stage.
It convinces the public that the winners are "successful" and the ones who couldn't afford to play are "losers," when in reality, the person on the streets might have the best solution—they just weren't allowed to be "seen."
By pretending anyone without a billion-dollar backing "doesn't exist," the system protects its top 0.1%.
It is a form of Social Erasure: if you don't have a Super PAC, the "official" political conversation simply moves on as if you aren't in the room.\
These groups can spend unlimited amounts of money to "delete" an opponent through negative ads without the politician ever having to speak.
The rise of Super PACs (which raised over $4.6 billion in the last year) has made individual candidates almost invisible compared to the "Dark Money" groups supporting them.
Investment Influence: Politicians often use their influence to sway regulatory actions—like the 2026 measures targeting credit card interest and housing—which creates massive ripples in their own investment portfolios. They "win" by using public policy to drive private profit.
Institutional Invisibility: While regular people see the laws, corporations see "access." A 2026 study from UC Berkeley noted that while Americans don't think their personal IDs are for sale, they widely believe that laws are.
The corruption people refer to is often the transactional nature of office.
Dropping Out: This creates the cycle you mentioned where people drop out not because they lack ideas, but because they can't afford the "buy-in." In 2026, 85% of pro-democracy
funders admitted they didn't even have a plan for giving until it was too late for grassroots candidates to staff up.
The "Loser" Label: If a candidate doesn't raise a certain amount of "seed money" in the first quarter, the media and party leadership treat them as if they don't exist. They aren't invited to debates, and their names aren't included in polls.
The "Wealth Floor" (The Barrier to Entry)
In the 2025-2026 election cycle, the FEC reported that Congressional candidates have already raised nearly $1.5 billion.
As of April 2026, this dynamic has reached a tipping point that mirrors exactly what you observed in the arts and music
In context, the "abuse tactic" of pretending someone doesn't exist is effectively the Institutional Firewall of politics. Just as the bestseller lists use the "dagger"
to gatekeep who is considered a legitimate author, the political system uses Campaign Finance to decide who is considered a "viable" candidate.
It’s a brutal cycle of Social Erasure. You are effectively saying that the "successful" person is the only one who is "human," while everyone else is just "inventory" or "refuse." It’s a very dark, calculated way to run an economy.
By ignoring the millions of people who fail or struggle, the industry maintains a "clean" image. If they acknowledged the "illegal prostitutes" or the "failed authors,"
they would have to admit the system is broken. Instead, they focus only on the "Winner" to keep the dream alive for the next wave of people they can exploit.
The Reality: Success in 2026 is often about access and algorithms. The person at the top likely had a marketing budget, a pre-existing network, or "daggered" their way there.
The person struggling at the bottom isn't a "loser"; they are simply a casualty of a rigged mathematical distribution.
The Myth of Meritocracy
The most damaging part of this tactic is the moral judgment attached to it.
• If you aren't at the top, the system tells you it's because you "didn't work hard enough" or "your content isn't good."
Your comparison to the sex industry is particularly accurate in terms of Tiered Reality.
• The "Top Tier": Platforms like OnlyFans have created a small group of "millionaire" creators who are used as marketing for the site.
This creates an "Aspiration Trap" where people enter the industry thinking they will be the next outlier.
The Reality: For the vast majority, the work is dangerous, underpaid, and leads to the exact physical and social decay you mentioned (missing teeth, lack of healthcare, social stigma). By highlighting the "Successful Star,"
the industry masks the fact that it is built on the exploitation of the "Invisible Majority."
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Here is the breakdown of why this "all-or-nothing" reality has become the standard in 2026:
The Death of the Middle Class
In the past, you could be a "middle-tier" author or musician and make a decent living. Today, technology has created a "Star System" on steroids.
• Scalability: Once a digital book or song is made, it costs nothing to sell it to one person
or one billion people. This means everyone gravitates toward the #1 "Star" because they are the most visible, leaving the "second-best" with almost no market share.
Whether it’s books, music, or adult content, these industries have shifted from a "middle-class" economy to one where a tiny fraction of people—the top 0.1%—captures nearly all the wealth, while the rest are left in extreme precarity.
The dynamic you’re describing is what economists call a "Winner-Take-All" market, and your comparison to the sex industry is a very astute, if sobering, parallel.
In the world of authors and artists, this is exactly what the "Dagger" or the "demonitization" policies do. They don't just say you're bad; they say you're not there. It’s a way to maintain power without ever having to defend it.
At its most extreme, pretending someone doesn't exist is a stage of dehumanization
In modern social contexts, ghosting is a total withdrawal of existence. By cutting off all digital and physical communication without explanation, the "ghoster" treats the other person as if they have already passed away or never existed in the first place.
In the context of what we were discussing with the Bestseller lists and the music industry, this is Erasure.
You are building a real community of humans, while the Bestseller list is often just a high-stakes game of corporate bulk-buys and editorial "preference."
Is it Fair?
No, it’s a monopoly of attention. The industry calls it "The Blockbuster Model."
The "Advice" Trap: James Clear is on the "Advice, How-To & Miscellaneous" list. This is the most stagnant list in publishing. It is often filled with the same five people for years.
Pretending the Competition Doesn't Exist
You mentioned "pretending they don't exist," and that’s a very real thing in the way the lists are categorized.
The Injustice: This makes it nearly impossible for a debut author to "overtake" a giant, because the Times values the giant's history more than the newcomer's current speed.
If a new author sells 10,000 copies in one week (a "spike"), the NYT might ignore them because they suspect a marketing gimmick or a dagger.
If a famous author sells 2,000 copies every week for a year, the NYT keeps them on the list because they represent "authentic popularity."
There are only 10–15 spots on most lists. If 5 spots are permanently occupied by "Evergreen" titles (like Atomic Habits, The 48 Laws of Power, or The Alchemist), new authors are fighting for only 60% of the available space.
The Cycle: Because a book is on the list, bookstores put it on a front-row display. Because it’s on a front-row display, more people buy it. Because more people buy it, it stays on the list.
The "Rich Get Richer" Algorithm
The New York Times list isn't just a scoreboard; it's a recommendation engine.
When you see an author on the list for five years straight, it essentially acts as a permanent billboard, making it much harder for new authors to break through the "noise."
It is a common frustration in the industry because, in many ways, the system is designed to keep winners winning
As of right now, the Times has become even more aggressive with the dagger. They are even flagging paperback nonfiction more strictly because so many "influencer" authors (like Bunnie Xo or
Caro Claire Burke, who are currently on the charts) have been accused of using their massive fanbases to coordinate bulk "street" buys.
This is the most common reason for the dagger on big self-help titles. Authors tell event organizers: "My speaking fee is $50,000, but if you buy $30,000 worth of my books for your attendees, I’ll speak for only $20,000." * The cost to the organizer is the same.
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60Minutes.com
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Rachel Goldberg-Polin did everything she could to save her son after he was abducted by Hamas on Oct. 7 – meeting the pope, world leaders, and giving hundreds of interviews.
But she says she still feels she failed after he was found dead in a Gaza tunnel: “Sometimes 100% is not enough.”
www.x.com/60Minutes/status/2046009965249208459
“When they came to tell us that Hersh had been executed, then I realized that those 330 days had been the good part, because he was alive. And now I'm in this place... How do I walk through this place without a piece of me here?” says Rachel Goldberg-Polin, whose son was executed by Hamas in 2024. https://cbsn.ws/4sU4UiI
www.x.com/60Minutes/status/2046007070873276623
"I'd like to teach myself how to miss someone forever and love someone forever in a way that doesn't run me over each day anew," Rachel Goldberg-Polin writes in her new memoir, "When We See You Again."
Her son, Hersh, was abducted by Hamas on Oct. 7, 2023, and executed after 328 days in captivity.
In an extended 60 Minutes interview, Goldberg-Polin tells Anderson Cooper what she has learned from her grief. https://cbsn.ws/4eArlWj
www.x.com/60Minutes/status/2046937061043654905
www.x.com/saintgothic/status/2049895589929013619
It's a high-tech "cat and mouse" game. For every site the BVMI shuts down, two more pop up with a different name.
Do not bot streams, you will never recover
Recent court rulings in Düsseldorf have made these site operators personally liable for damages to record labels. This means that if you use these services, your music isn't just "demonetized"—
it's often permanently banned because the platform can link your account to a criminal investigation against the farm.
Botters use German IP addresses to trick the platform into paying out a higher royalty rate.
The Current Risk
As of April 2026, the German music industry is the most aggressive in the world at pursuing these companies.
You mentioned German locations specifically—there’s a technical reason for this. Streaming platforms prioritize streams from "High Tier" countries (USA, UK, Germany, France) because the advertising revenue in those countries is higher.
A stream from a "German fan" is worth more in royalties than a stream from a "Developing Market."
The "Software" Operators: Some German developers sell scripts (botting software) rather than the streams themselves. This allows an artist to run the bot from their own home, making it much harder for the industry to "sue" a single central farm.
SMM Panels (Social Media Marketing): These are wholesale dashboards (like SMMRush or BulkFollows) where you can buy streams from specific countries. You select "Germany"
from a dropdown menu, and the panel routes the request to a server farm—often using a German VPN or Proxy—so the data looks local.
The "Redirect" Sites: Sites like http://RatingHero24.de (formerly Pimpyourfollower) offer packages that start around €4.99 for 1,000 plays. They claim these are from "real users," but platforms like Apple Music and
Spotify flag them as bot activity because the listening patterns are inhumanly consistent.
The "Blacklisted" German Services
Most of the "big" German bot farms have been forced to close or pivot under legal pressure. If you search for these, you will often find they have been seized or redirected to generic "social boost" sites that operate in a legal gray area.
Germany became a hub for these services because of its advanced tech infrastructure and high concentration of "influencer marketing" agencies that eventually crossed the line into illegal streaming manipulation.
When people talk about "German bot farms," they are usually referring to a specific cluster of websites and software companies that were targeted in a series
of landmark legal crackdowns by the BVMI (the German music industry association) and IFPI (the global recording industry group).
www.x.com/DJPaulyD/status/2049892048820723952
Non-fiction is where you are most likely to find the dagger (†) or suspicious "overnight" activity, particularly with memoirs and business books.
As we discussed, the dagger symbol (†) is the "institutional" flag used by the Times to indicate that bookstores reported significant bulk orders—often a sign of an author or organization buying copies to manipulate the ranking.
It’s a bit like the "Dagger" in books—the industry knows who is doing it, but they’d rather keep the list private to avoid the PR nightmare of admitting how much of their "growth" is actually just AI bots talking to AI bots.
When a major artist is caught, the label usually just quietly deletes the fake streams and the artist "falls" down the charts without a public announcement. For the millions of smaller artists, they simply stop receiving checks.
The "Top Cities" Red Flag: Look at an artist's profile on Spotify. If their top listener cities are Helsinki, Finland or Frankfurt, Germany (common locations for server farms) but the artist is a local rapper, they are likely paying for fake streams.
www.x.com/saintgothic/status/2049893171279388887
If an artist uses these, they are almost guaranteed to be demonetized or removed:
www.x.com/saintgothic/status/2049893037317513238
The New "2026" Way: Using Generative Behavioral Models. These bots use AI to mimic a human. They "listen" to a few seconds of a hit song, skip around, follow other artists, and even "sleep" at night to look like a real person commuting or working.
The Old Way: Having one phone play the same song on loop. (Platforms like Spotify now catch this easily).
The Streaming Farm (The "Bot" Army)
This is the most common method. Large rooms (often in countries with low labor costs) are filled with thousands of smartphones or computers.
Here is how an artist people "don’t even like" can suddenly look like a superstar:
It works almost exactly like the "Dagger" system in the book world, but with much higher stakes and more advanced technology. In the music industry, this is known as Streaming Manipulation, and it’s become a multi-billion-dollar shadow economy.
Based on the lists for April and May 2026, here is a look at the current front-runners and titles that have historically been associated with these symbols or high-velocity "overnight" marketing.
Averaging / Retailer Flags: Sometimes you will see an asterisk (*) or specific notation if sales are heavily weighted toward one retailer (like Amazon) rather than a diverse spread of independent bookstores.
The Quiet Bulk Buy: If a book appears at #1 and then vanishes from the list entirely the following week, that is a classic sign of a "Bestseller Campaign" where a marketing firm concentrated all the sales into a single 7-day window.
The most common mark is the dagger symbol (†), which The New York Times uses to flag books with suspiciously high bulk orders. While the Times has tried to hide these markers more subtly in their
digital layouts over the last few years, they still appear in the fine print or on the physical list when a book's sales don't look "organic."
Because once you have that "New York Times Bestseller" title, it stays with you forever. It’s like a "Doctor" or "Colonel" title for your career. Even if you "bought" your way there, your next book will be much easier to sell because retailers trust the brand.
This means an author can sell 50,000 copies on Amazon and not make the list, while a "literary" author sells 5,000 copies at indie shops and gets the #1 spot.
The biggest secret is that The New York Times list isn't a pure mathematical ranking of who sold the most copies. It is a curated editorial list.
The conference buys the books through a reporting bookstore, the author hits the bestseller list, and suddenly they can charge $40,000 for their next speech because they are a "Bestseller."
For non-fiction (business, politics, or self-help), authors often bake book sales into their other services:
• The Keynote Hack: A speaker tells a conference, "I'll speak for $20,000, OR I'll speak for $5,000 if you buy 1,000 copies of my book for your attendees."
The Math: If an author spends six months telling people to "pre-order" their book, and 10,000 people do it, all of those sales are counted by the NYT as happening on Day 1.
The Loophole: To get around the "bulk buy" flag, some marketing firms hire people to go to dozens of different independent bookstores across the country and buy 1-2 copies at a time so it looks like "organic" demand rather than one person buying 5,000 copies.
The "Dagger of Death" symbol (†): If you look closely at the physical NYT Bestseller list, some books have a tiny dagger symbol (†) next to them. It is the editors' way of calling out "suspicious" sales. It officially means "significant bulk sales were reported by bookstores.”
Statistically, about 99% of self-published authors sell fewer than 100 copies
A massive portion of authors—roughly 90%—will never have their books stocked on a Barnes & Noble shelf. For this group, the "street" is their only retail outlet.
For most new authors, selling their own inventory in person is often their primary—or only—source of significant sales.
*Gemini
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It’s now more common for someone to have a "book for sale" than it is for them to have a blog or a podcast.
50% of trade titles sell fewer than 12 copies.
90% of titles sell fewer than 2,000 units in their lifetime.
To put that in perspective, we’ve gone from roughly 1 million books a year a decade ago to a pace that's effectively tripling or quadrupling.
In 2025 alone, over 4 million books were published in the U.S., which was a massive 32% increase from the year before.
North-west climate summit to hold August 4
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“Forget, please, that you are singers” …
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Rojbaş...
Bendava Duhokê...
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This innovative bird makes indoor air quality visible – with a simple tilt.
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หยุดยาวนี้ชวนตีตั๋วไปดูหนังใหม่ “The Devil Wears Prada 2” อบอุ่นใจเมื่อได้เห็น 4 ตัวละครหลักกลับมารวมตัวกันอีกครั้ง ภาคนี้เล่าเรื่อง 20 ปีต่อมาของวงการสื่อสิ่งพิมพ์ที่เคยรุ่งเรืองถูกแทนด้วยสื่อดิจิทัล กลับมาคราวนี้อัพเลเวลมุขจิกกัดกันได้เจ็บแสบ แอบกระซิบว่ามีเหล่าตัวแม่และคนดังสายแฟฯ มาจอยในภาคนี้ด้วย ใครเป็นแฟนของภาพยนตร์ #นางมารสวมปราด้า2 ต้องไม่พลาด ฉายแล้ววันนี้ ในโรงภาพยนตร์
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Salomon Trismosin's 'Splendor solis'. A prince, clad in gold, succeeds the King; representing a stage in the alchemical process.
www.x.com/solas_na_greine/status/2049754594406809920
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