Saint Gothic Designs

Watercolor Moon Magazine X GH

by: Wish Fire

Saint Gothic

Watercolor Moon Magazine X GH
Ancient and early spiritual/occult painters who worked in water-based media
Below are five historically important artists or medium‑painters often associated with spiritualism, occult influence, or paranormal creative practices whose work includes water-based techniques (watercolor, gouache, ink, spirit drawings, or mediumistic precipitation).
| Artist | Era / origin | Why they matter |

|---|------|

| **Georgiana Houghton** | Victorian England, mid‑19th century | Mediumistic spirit drawings and intricate water‑based gouache works produced during Spiritualist séances |

| **Hilma af Klint** | Sweden, late 19th – early 20th century | Early abstract works inspired by esoteric and Theosophical beliefs; many water‑based studies and spirit‑inspired sketches |

| **Augustin Lesage** | France, early 20th century | Spirit‑guided paintings produced after trance states; associated with Spiritualist art practices |

| **Fleury Joseph Crépin** | France/Belgium, early 20th century | Medium and painter tied to precipitated or mediumistic works within the Spiritualist movement |

| **Wassily Kandinsky** | Russia/Europe, late 19th – early 20th century | Deeply influenced by occult, spiritualist and Theosophical ideas; produced water‑based studies and abstract pieces reflecting spiritual concepts |
Georgiana Houghton


Watercolor Moon Magazine X GH



Watercolor Moon Magazine X GH
Georgiana Houghton — life and practice
**Basic biography**

Georgiana Houghton (born 1814 in Las Palmas, Canary Islands; died 1884) was a British artist and prominent Spiritualist medium who lived and worked in London.

How she became involved with Spiritualism and séances
**Entry to Spiritualism**

Houghton first attended séances in the late 1850s and produced her earliest mediumistic drawings around 1859–1861; she described these productions as made under spirit guidance rather than by conscious design.
**Spirit guides and method**

She claimed her drawings were directed by a named spirit (“Lenny”), later by a sequence of “master painters” and archangels, and she practiced automatic, trance‑like working—beginning each sheet without preconception and allowing layered, continuous marks and washes to accumulate across the page.

 Her water‑based work: style, subjects, and scale
**Medium and appearance**

Houghton’s spirit drawings are primarily watercolor and gouache on paper, densely worked into woven, often symmetrical compositions of vibrant color, spirals, and looped motifs that prefigure abstract art.
**Output and surviving works**

She produced over one hundred mediumistic watercolour drawings during roughly a decade of activity; about 46 survive today, many held by Spiritualist societies and museums.

Exhibitions, publications, and reception
**Public exhibition**

In 1871 Houghton mounted a public exhibition of her abstract watercolours at the New British Gallery on Bond Street in London, an event that drew curiosity and scepticism from Victorian audiences and critics.
**Writings and spirit photography connection**

She published material connecting spirit phenomena with photographic practice and compiled alleged spirit photographs in a book, Chronicles of the Photographs of Spiritual Beings and Phenomena Invisible to the Material Eye (1882).

Where her works are held today
**Collections**

Surviving works are mainly in the holdings of Spiritualist organizations: the College of Psychic Studies (formerly the London Spiritualist Alliance) holds several, and a significant group is preserved by the Victorian Spiritualist Union in Melbourne.

Why she matters for art and occult history
**Art‑historical significance**

Houghton’s watercolours are now read as early examples of abstract composition produced before the mainstream modernist turn to non‑figurative painting; they are historically important both for Spiritualist practice and for the genealogy of abstraction in art.

Suggested next steps to explore her work
- Visit the Georgiana Houghton project site for high‑level biography and images.

- Consult museum or Spiritualist society catalogues (College of Psychic Studies; Victorian Spiritualist Union) for holdings and exhibition histories.

- Read accounts linking her to spirit photography and Victorian mediumship for context on reception and practice.
Watercolor Moon Magazine X GH
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The Eye of God by Georgiana Houghton (1862).
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Watercolor Moon Magazine X GH
The Sheltering Wing of the Most High - Georgiana Houghton. 1862. Watercolour and gouache on paper, 23.0 by 31.5 cm.

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Watercolor Moon Magazine X GH
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In theaters on November 20, 2026.
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